the first rap group on MTV, the cover of Rolling Stone and to make it to the Grammys. Raising Hell proved that hip-hop was more than a fad, as it became the first hip-hop album to go platinum and made Run-D.M.C.
Now over two decades after the release of Raising Hell, hip-hop is the predominant music of the generation, thanks in no small part to the path laid out by Run-D.M.C. It’s hard to believe there was a time in music where hip-hop wasn’t taken seriously.
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Every kid with an acoustic guitar quickly learned how to play half the album. neighbors up the road in Athens, it recalled times when folk songs from Greenwich Village became anthems across the country. Josh JacksonĪ folk duo from Atlanta was an unlikely radio success story, but Emily Saliers and Amy Ray’s major-label debut went platinum thanks to hits like “Closer to Fine” and “Kid Fears.” With guest appearances from their R.E.M. When Fisherman’s Blues came out in 1988, Mike Scott and his very large band had almost completely shed their arena-rock leanings for a more traditional tour de force that name-checked Hank Williams and quoted William Butler Yeats. during the 1970s, The Waterboys’ blending of ’80s rock and the Celtic roots of the Irish, Scottish and English members was refreshing. I’d go see The Feelies at CBGB right after their debut album Crazy Rhythms and watch the crowd of other young musicians react to the melding of driving bass and drums with experimental guitar, a sound that would help inspire some of the best New Wave, gothic rock and jangly college rock. If I had a musical time machine, one of my first stops would be to visit the post-punk scene of New York right around 1980. There are guest spots by Chilton himself and a teenaged Luther Dickinson, but this is Westerberg’s breakthrough moment, as he stops undermining his striking melodies, galvanizing riffs and mind-twisting aphorisms and lets them cast their spell. Dickinson didn’t try to curb Westerberg’s uninhibited yowl or the band’s careening attack he merely insisted that they keep time and play in tune, and that made all the difference. Having fired unreliable guitarist Bob Stinson, singer/songwriter Paul Westerberg, drummer Chris Mars and bassist Tommy Stinson followed the Mississippi River from Minneapolis to Memphis to record with the legendary Jim Dickinson. Best of all is this one, which contains so many of the band’s greatest moments-“Alex Chilton,” “Never Mind,” “Skyway” and “Can’t Hardly Wait”-that it could easily be confused for a best-of compilation. The Replacements – Pleased to Meet Me (1987)Ī lot of people prefer The Replacements’ early albums for Twin Tone-which are admittedly impressive-but their mid-career, late-’80s trilogy for Sire holds up a lot better. Billy Zoom’s maximum surf and rockabilly riffs always helped made sure the desperation never felt like a drag. Falling in and out of love and hate over every album, they gave us every detail of every booze-fueled breakdown, and always left room for bitchy asides about the rest of the poseurs and degenerates trying to make the scene in the shadow of Hollywood. X’s debut Los Angeles set the template for The John Doe and Exene Cervenka Show, the great punk soap opera of the 1980s. Note: We included a maximum of two albums per artist so this didn’t just become a list of great R.E.M., Smiths and Springsteen albums. Here are the 80 best albums of the 1980s. There’s a little bit of rap, folk, country, jazz, pop and a lot of rock ’n’ roll in its various incarnations. Today we celebrate our favorite albums that arose from the ’80s. They saw the last vestiges of a vibrant punk scene and the beginnings of post-punk and New Wave the rise of hip-hop and an explosion of great college radio the brief ascension of rootsy singer/songwriters to mainstream country stardom and the establishment of some almost-universally beloved pop stars. But looking back at the decade’s best albums, those years were extremely diverse. The 1980s might conjure up images of leg warmers, parachute pants, moonwalking, Flock of Seagulls haircuts and any number of John Hughes movies.
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